I moved to England from South Africa at a young age, living first in the North East before moving to London to study Fine Art at university. While studying, I became fascinated by the production and manipulation of images—both still and moving—which naturally drew me toward the world of film and post-production.

My first job in the industry was at a post-production house in London, where I started out making tea and bringing people biscuits before working my way through the machine room, providing both online and offline support. Eager to follow my passion for filmmaking, I moved to New York and joined Postworks, where I began working in film dailies. As the industry evolved, I transitioned into digital dailies and the file-based workflows we rely on today.

For nearly two decades, I’ve worked in the United States as a DIT and Dailies Colourist on major productions across New Orleans, Charleston, Savannah, and Atlanta. My credits include high-profile projects such as Black Adam, Shazam! 2, People We Meet on Vacation, Gotham Knights, and Legacies, among many others.

I bring a deep blend of technical expertise and creative support to every production I join. I love the fast-paced environment of being on set, and I thrive when I’m surrounded by talented, like-minded people who share the same passion for storytelling and image-making.